Monday, 14 January 2013

Bootlegger white grain spirit

The utilitarian bottle and deliberately ragged label

It was at the London Boutique Bar Show last year that I first encountered Bootlegger. All their branding screams “Prohibition”—the utilitarian bottles and rough labels, the logo depicting a home still, and the “packing crate” style wooden presentation boxes. What with my involvement with the Candlelight Club I was inevitably curious.

Bootlegger is a spirit designed to evoke the unaged “moonshine” whiskey produced illicitly during Prohibition. There has actually been something of a trend towards bottling such “white dog” whiskies. Georgia Moon (actually made in Kentucky by Heaven Hill) comes in a large jam jar and proudly boasts it is no more than 30 days old. Buffalo Trace, Heaven Hill and Maker’s Mark have all bottled white versions of the spirits that usually go on to make their aged products, and in October Jack Daniel’s announced the launch of an unaged rye-heavy “white” whiskey. While there are many artisanal, crafted white dogs being made in the US, apparently very creditably, there is nevertheless a reason why most whiskey is aged in wood, at great expense, for a number of years. I’ve not actually tasted Georgia Moon—because the smell of the eye-watering fumes coming off it when the jam jar lid was unscrewed put me off. And the unaged bottlings of mainstream whiskeys are often presented more as experimental, “educational” products, to illustrate the journey that the “proper” products make towards their final matured form.

Note the rather pleasing indentations in the sides of the
bottle, giving your shaking fingers a good grip
So I didn’t have very high hopes when I tasted Bootlegger at the bar show—and I was pleasantly surprised. There is a whiff of vanilla and caramel on the nose (which reminds me a bit of Bailey’s) plus a warmth of dry grain spirit underneath. There is plenty of pepper on the palate but it is actually pretty smooth, again with vanilla, caramel and a chocolate finish, maybe with a hint of dry oatmeal. They are so confident of the palatability of their product that the preferred serve is actually sipped neat.

Given all the Prohibition associations, I was surprised to discover that Bootlegger is actually made in the UK for Halewood International. And it’s made entirely from wheat, not an obvious American whiskey grain. (There are wheated blends—Buffalo Trace have bottled a wheated white dog which normally goes on to make Pappy Van Winkle and W.L. Weller—but even here the wheat is part of a mix of grains.) “I did quite a bit of research,” says Halewood's Peter Eaton, whose brainchild Bootlegger was, “and they made moonshine out of pretty much anything that was to hand. We tried loads of different grains—and to be honest some of them, when I tasted the finished spirit, nearly burned my tongue off—but what we landed up with was a precise combination of English and French winter wheats, which produced the smoothest liquid.”

Bootlegger is entirely unaged, but has an “oak tincture” added, which gives that woody vanilla element, along with a slight yellow colour, to mimic the effect of the barrels that would have been used to transport moonshine—what Peter calls the “transportation flavour”. (House Spirit White Dog, another brand, is barrel aged for precisely three hours to achieve the same effect.) So in practice Bootlegger is arguably more like a moonshine-flavoured vodka. The wheat spirit undergoes a “multiple distillation process which results in a liquid of exceptional purity”—very much the way premium vodkas sell themselves. So you end up with something with the illicit associations of moonshine, and an appealing vanilla woody whiskeyness, yet with none of the searing roughness that can so easily characterise unaged whiskey, the mellowness coming in this case from the wheat grain and the multiple distillation rather than barrel ageing.

The label is all about Prohibition
Despite the emphasis on serving Bootlegger neat (their slogan is “Made for sippin’ while the moon shines”) it also makes a useful cocktail base, being relatively neutral with that light vanilla character. We based our Christmas Candlelight Club event around Bootlegger and served their signature cocktail, the Al Capone:

Al Capone
1½ shots Bootlegger
½ shot Grand Marnier
½ shot sugar syrup
½ shot lemon juice
2 dashes of bitters
Champagne to top
Raspberry to garnish
     Shake Bootlegger, Grand Marnier, bitters, lemon juice and sugar syrup in a cocktail shaker with ice and strain into a cocktail glass or coupette. Top with Champagne and garnish with a raspberry.

An Al Capone cocktail
Not dissimilar to Dale de Groff’s Ritz cocktail, this is a dangerously agreeable tipple, with orange and lemon backed by spirit warmth and the Champagne drying it slightly and adding a sparkling shimmer. It’s hard to imagine Al Capone drinking one, but if you ask the Internet what Al’s favourite tipple was, the only answer that comes back is Templeton Rye, made in the Iowa town of Templeton; evidently the townsfolk managed to keep producing throughout Prohibition, helped by Capone’s fondness for the stuff. And on the Templeton Rye website today is a cocktail called the Capone, essentially the same as this one but without the lemon and sugar. It’s not a Prohibition era drink, though—there is a YouTube video in which brand manager Michael Killmer says that he invented it himself.

Because it was a Christmas Ball, we threw in a cocktail of our own, invented for the Candlelight Club by Will Sprunt. Originally using gin as its base, it also works very well with Bootlegger, the vanilla element partnering well with cherry. The rosemary sounds unlikely, but what is fascinating about this drink is how well cherry and rosemary go together.

Cherry Christmas
2 shots Bootlegger
¾ shot cherry brandy
½ shot sugar syrup
¼ shot rosemary tincture
Dash of cherry bitters
Top with cranberry juice
     Shake everything but the cranberry with ice and strain into an ice-filled highball. Top with the juice and stir briefly. The rosemary tincture is created by adding fresh rosemary to vodka (maybe four sprigs per bottle, bruised a bit if possible) and leaving it to soak for about 24 hours.

If you’re curious to try Bootlegger, we’ll also be serving it to sip or a cocktail at our next Candlelight Club party, on 25th and 26th January…

Monday, 31 December 2012

Fentimans & Bloom Pre-mixed Gin & Tonic


Fans of the site will know that I have a penchant fro premixes and it has been a puzzlement to me that no-one had made a very decent pre-mixed gin and tonic so imagine my intrigue when I saw that Fentimans had teamed up with Bloom Gin to make a high-end gin and tonic.

This is bottled in Fentimans standard 250ml bottle and comes with a high-end price tag of £3.99 a bottle (I got mine for a discount to £3.50).

It is bottled at 6.5%ABV which as Bloom is bottled at 40% means the drink is one part gin to six parts tonic.

THE TASTE

CHILLED: OK but too bitter at the end and only a little zestiness. The gin is there but it is rather lost. Part of this is due to the alcoholic weakness of the gin.

WITH ICE: much better with ice but still decidedly mediocre. Not even a patch on a fresh made Bloom Gin and tonic; which can be superb!
Fentimans-wise I'd rather have a chilled bottle of their (non-alcoholic) ginger beer on it's own.

This combination does neither the gin the tonic or the attractive bottle justice.

In Conclusion
To my mind this disappointing product is a waste of time. The gin is not nearly strong enough and it represents poor value for money.

Friday, 21 December 2012

Kopparberg Naked Apple sparkling cider

Continuing our recent spate of cider articles, perfect to refresh yourself in this warm weather. Today we will look at another Kopparberg, namely Naked Apple.* This was released in late april 2012 and designed to be a scantily clad** version of their cider, basically it is just apple rather than being adulterated with another flavour.*** It is bottled at 4.5% ABV.

On with the tasting...


THE TASTE

Nose: Sour apple (like a Bramley)
Taste: Fresh, crisp and slightly tart. Medium-high fizz, some hints of vanilla and winter spice; a very respectable fizzy cider (I usually prefer mine still). For any fans of sparkling cider this is definitely worth trying.

Over ice: Clean and crisp dry apple, the fizz is reduced, rather good. I prefer this cider chilled rather than “on the rocks” but if you want that extra cooling factor then the cider holds up well.

* I’m not quite sure why such titillation is applied to apple (Chase’s Naked Vodka is also Apple based.)
** They use the term strip*ed-d*wn but I thought that was too scandalous for the IAE—a place of science.
*** Kopparberg have made a plain apple cider before but I remember it being rather different from the Naked Apple (although it is a few years since I last tried it—the old one was fizzier and less crisp.)

Monday, 3 December 2012

Beefeater 24 global cocktail competition


The 14 hopefuls set up their stations as guests sample the cocktails and make their choices
I was invited to help judge the Beefeater 24 Global Competition last Wednesday evening at the Shoreditch Studios in London. Beefeater had flown in hopeful bartenders from all over the world, vying for the prize of a trip to Japan, and earlier in the day they had encountered challenges measuring all aspects of modern bartending, including food matching. The organisers are looking for more than just the finished drink, judging overall ability to be a host and, unsurprisingly, an understanding of Beefeater 24 and its history and place in the cocktail pantheon. But our role was simply to taste 14 cocktails and choose our favourite.

It’s always interesting to go into a bar, study the menu, try a few drinks and get a clear sense of how this particularly mixologist’s thoughts and palate work. But it’s not often you’ll find yourself confronted with 14 different sensibilities in the same room. Having said that, it was noticeable how much similarity there was in the ingredients. Tim Stones, a B24 ambassador, explained that the contestants were told they had to include tea (Japanese sencha tea and Chinese green tea are ingredients in Beefeater 24). But grapefruit was also common (grapefruit peel is in the botanical mix of the gin too, along with more conventional orange and lemon peel) as was honey and elderflower. Tim mentioned that in the past you would get clear national styles emerging when judging competitions like this, but nowadays bartending is a much more global community and the styles are more homogenised and the standard higher. (Though he did mention that in an early heat one chap presented a simple gin and tonic as his entry—Tim couldn’t decide if he had misunderstood the idea of the competition or if he just had enormous front…)

These were the cocktails on offer:

Mr Burroughs’ Reviver
Nathan O’Neil, United Kingdom
The Mr Burroughs in question turns out to be Beefeater founder James Burroughs and not, as I had hoped, elegant beatnik hallucinatory wordsmith William Burroughs. The cocktail is a variant of the Corpse Reviver No.2, featuring absinthe (but, mercifully, no heroin, peyote, yage, bug powder, the True Black Meat of the Giant Centipede, or any of the other intoxicants that feature in Mr Burroughs’ oeuvre). The absinthe is infused with lapsang souchong tea, and there is also a green tea and sencha tea syrup, aquavit, orgeat and lemon juice. The nose is dominated by lemon, but the palate is more complex, with notes of honey, warming anise and something floral. I liked these elements but I think overall it doesn’t have the righteous balance of a normal Corpse Reviver.

The Trading Company Martini—not much
like a Martini, really
Trading Company Martini
Marko Radičev, Serbia
Named after the East India Trading Company, this drink takes its inspiration from ingredients that were shipped to this country by that goliath of a corporation (James Burroughs’ father was a tea merchant himself, which is where today’s master distiller Desmond Payne got the idea for B24). It has a nose of weak lemon and a palate that is surprisingly light and thin with a citrus peel/tea bitterness. Probably too bitter for many, and not really much like a Martini.

Ginjamboa
Diogo Quinaz, Portugal
The name comes from the main ingredients, gin, fresh ginger and grapefruit (jamboa in Portuguese). The nose is of honey and ginger plus a medicinal note and the palate is very bold but very balanced—sweetness from honey, tartness from citrus, tannin dryness from tea and a fiery finish from ginger. This was one of my favourites, robust and to-the-point but also multi-faceted, with all the ingredients playing their part. Which is what a good cocktail is all about.

The So British
Aurélie Pezet, France
Aurélie uses a special blend of Earl Grey (which she considers quintessentially English) flavoured with lime and grapefruit peel and some sort of purple flower for which she could not think of the English name. There is also elderflower and grapefruit juice in the mix. The drink has a surprising pungence from the elderflower and waxy honey, combined with a refreshing citrus tang. The notes of Earl Grey and elderflower do somehow seen redolent of an English summer, so I can forgive the cheesy name.

Diogo Quinaz with his Ginjamboa
Desert Punch
Alexander Frezza, Italy
Alexander takes his inspiration from the Moroccan tea ceremony, and in particular the punch-style idea of a drink as an evolving group experience rather than a single serving. Moroccan tea is poured from a height into small glasses and the drinker is expected to have several of these. The fresh mint in the pot gradually infuses a bitterness into the tea as is steeps, and the saying goes (if I remember it correctly) that the first glass is as fresh as life, the second as sweet as love and the third as bitter as death. Not sure that third glass is really selling itself to me. This simple cocktail—just gin, tea, citrus and mint—is light and does have a refreshing mint flavour with a bitter finish, though I’m not sure it could hold my interest long enough to make it to that deathly third glass.

Mr Oolong’s Fixer Upper
Hasse Bank Johansen, Nordic
Hasse runs a bar in Aarhus, Denmark’s second city, on the Jutland peninsula, where he is pretty much inventing the market. He takes great delight in introducing mixology to people who may never had tasted a cocktail before. He studied bartending in Japan for a while, where his teacher was actually called Mr Oolong and served them all oolong tea each morning to wake them up from the previous night’s indulgence, so this drink was named in his honour. As Hasse says, it is a Martini-style cocktail, with the gin strongly to the fore, plus a homemade oolong cordial, citric acid and some grapefruit bitters. I admired the restraint, giving the podium to the gin rather than trying to show off, while the other ingredients did a good job of adding just the right amounts of sweetness, sourness and tannic dryness. It’s the sort of drink I would actually order in a bar.

Elletaria
Raphaël Trémérie, Belgium
The name is the Latin for cardamom, and the cocktail also has a green tea syrup, apple and lime. Raphaël had a picnic hamper on display with little phials of the ingredients and his suggestion was that it was something anyone could make, though I doubt most people would want to take this chemistry set with them on a picnic. The drink has a vivid green colour which Raphaël said came from the tea, though it looked rather artificial to me (like Monin’s Green Apple Syrup, which may have been involved). The green tea is pronounced and I liked the appley aromatics, though it’s a bit sweet for me with a confectionary note that would probably put me off from drinking very much of it.
Belgium's entry, Raphaël Trémérie's chemistry-set picnic concept of the Elletaria cocktail


La Bella Donna
Sarah Parniak, Canada
Sarah is proud of her Italian roots, hence the name of this drink, though I’m not entirely clear on what’s particularly Italian about the recipe: sencha tea, liquorice, honey, Lillet Rose, orange blossom water, grapefruit oil and a homemade lemon cordial. It has a light, delicate, evasive flavour, with beeswax headiness of the honey and liquorice coming through and, oddly, a hint of rose (and apparently I’m not the only person to get that), even though there is no rose in it. Perhaps it is the blossom combining with something else. I think Sarah said she created the recipe with flavours that reminded her of time spent with her Italian grandmother, and this light, fresh, aromatic drink, does have teasing ghosts of scent that seem reminiscent of a half-remembered past.

As the judges deliberate, in the background Jamil, with his Japanese teapot,
rustles up a coconut-flavoured Coco Verde
Coco Verde
Jamil El Azem, Austria
Jamil described this as a “gin-based fancy Japanese cocktail”, serving it from an elegant Japanese tea pot, and its ingredients include green tea and sake, but also a syrup made from dried coconut. This is very important to him and he kept emphasising how unusual it was to have coconut in a cocktail these days and how he wanted to rehabilitate it as an ingredient. (I think he had consumed quite a few of his own cocktails by the time I spoke to him…) The coconut is actually quite subtle in the finished drink, with tangy lime juice to the fore and the tea clearly present, plus a mysterious earthy element that might come from the sake, with its distinctive dry, savoury flavour. Jamil seemed rather affronted when I suggested an earthy note, but, as I say, he was three sheets to the wind by this stage. Actually quite a poised drink in some ways but perhaps more “interesting” than moreish.

The 24/7 Cocktail
Gregory Ian Sanderson, Australia
When I asked Greg what his cocktail was all about he began a spiel about how the name comes from the fact that as a barman he likes to entertain 24 hours a day, 7 days a week, and my heart began to sink. But he’s a likeable chap who had an unusual twist to his offering. The basic recipe is fairly simple, combining the gin with grapefruit juice, elderflower liqueur and his own tea blend that includes sencha and lapsang souchong (he admits the tea on its own is too strong and bitter to be very nice but is designed to work in the cocktail). But just before he serves it he invites you to roll a die on to a wooden backgammon board on which he has laid out little bowls of six of the dried botanicals from the gin. Next to each bowl is an atomiser containing an extract of that botanical. Depending on which number comes up when you roll, Greg sprays that essence into the air over your drink before handing it to you. It’s an interesting idea to build in an element of randomness like this, and also just the idea that each iteration of a cocktail is designed to vary. For me, liquorice root came up, and the nose of grapefruit and elderflower was joined by a woody note. As if that wasn’t enough, Greg serves his cocktail from a teapot, and encourages you to taste a grapefruit-dipped morsel of duck rillette with your cocktail (which goes remarkably well). On its own, though, the cocktail was nice enough, with an interesting bitter-sweet finish, but perhaps a tad disappointing after all the build-up.

Greg dispenses his B24/7, complete with Dice Man spritz and duck rillette
B.P. Ruby @ 24
Eduard Ondracek, Czech Republic
This raspberry-dominated drink has evolved since its inception, its creator told me. An early version that got him through the heats had mint and crushed ice in it, but then the seasons changed so he removed those elements. The version I tasted had an Earl Grey syrup and, oddly, Maldon sea salt in the gin. On the nose, to me, it seemed to smell of tomato, making me expect a Bloody Mary: whether it is the salt doing this (can you smell salt?), I don’t know. On the palate it is mostly fresh raspberry with a rich texture from egg white. The salt is pronounced and it isn’t revolting, but I’m not sure it’s helping much. I think it would make it hard to drink very much of this cocktail.

B24 Martinez
Alex Chatte, Hong Kong
I think in this cocktail the tea was infused directly into the gin, and the other ingredients include Italian and French dry vermouths, grapefruit bitters and a late-harvest Sauvignon Blanc reduction with honeycomb. (Although representing Hong Kong, Alex comes originally from France, so it’s not surprising that wine should feature in his recipe.) Unusually, Alex invites to you try the drink with a nibble of 74%-cocoa-solid chocolate with Szechuan pepper. On the nose the cocktail is dry and aromatic with notes of honey and lavender, while the palate is sweeter and has that now familiar wax note from honey. With sour and tea-tannin bitter elements, the cocktail avoids being cloying, and in fact is relatively light to match with a heavyweight like chocolate, but it does work in an unexpected way. But if you’re going to spend an evening pummelling your liver with cocktails, it doesn’t seem fair to be encouraged to scoff chocs at the same time!

The Watchman’s Wife
Katrin Reitz, Germany
The watchman in the name is the Beefeater himself, guarding the Tower of London, and the reference to his wife is a nod to what Katrin sees as the floral, more feminine elements in this drink. Apples and pears are muddled with a cardamom syrup, oolong tea, rosewater and lime, but this cocktail is most noticeable for being the only one here that uses tonic water (in this case Thomas Henry, a German brand that is very good but hard to come by in the UK). Given that G&T is doubtless the default way of consuming gin for most people in this country (and probably the world), it is surprising that there aren’t more cocktails based on this combo. Katrin’s drink was masterfully balanced, with apple, pear, tea and rose all slotting into place, but you could also just enjoy it as a G&T, and for that reason I ultimately decided it was my pick of the bunch.

Pandora’s Box
Panagiotis Kanavetas, Greece
In addition to curaçao, lemon juice, agave syrup, peach bitters and citrus tea, this cocktail, unusually, featured milk—which I assume is a reference to the milk that is often added to tea. Its creator told me that the tea is usually served as a tea bag, infusing in the cocktail glass, which must further enhance the reference. I’m sure the name came from a desire to highlight his nation’s mythological tradition, though by the time he served it to me Panagiotis had actually changed it: he said he had realised that most of the things that came out of Pandora’s Box were actually unpleasant, so maybe it wasn’t such a great name… The end result is quite simple, with a big citrus jolt, followed by a sort of lactic mouthfeel, then the drying tannins. But to be honest I think I’d sooner just have a cup of tea.

Canada's Sarah Parniak talks a customer through her La Bella Donna cocktail
In the end I gave my top three as 1) the Watchman’s Wife for combining balanced complexity with straightforward drinkability, 2) the Ginjamboa for much the same reason, being multifaceted but bold enough that you didn’t have to concentrate too hard to get interest out of it, and 3) the So British, again a punchy drink with a subtle aura of English-summer grace notes. I’m pleased to say that the Watchman’s Wife won the public vote, so clearly we were all thinking along similar lines.* And it supports the notion that a good cocktail has to be more than just tricksy, playful or complex—it has to satisfy, the sort of drink you want when you just fancy a drink, a drink you don’t have to think about too hard to enjoy.

* The overall winner of the competition, judged by the organisers, was the UK's Nathan O’Neill.

Friday, 30 November 2012

Kopparberg Blackberry & Lime and Kopparberg Winter Fruits


On a recent brunch visit to J.D. Wetherspoons I was pleased to see two new varieties of Kopparberg Cider in this watering hole. For a long time Wetherspoons have had exclusive deals with the Swedish Cider company to be supplied with varieties and flavours of the cider that can only be sold in their pubs and bars. I know that at least the blackberry variety is and the pub periodical informs me that a Blueberry and Lime flavour is on the way.

Kopparberg with 
Blackberry & Lime

Chilled
Nose: Blackberry with the faintest hint of lime
Taste: Some sweetness, sweet berry, quite creamy, medium-high fizz. OK, but not amazing.

With ice
Taste: Quite fresh and crisp; I still don't taste any lime but thirst-quenching and nice enough.

In conclusion

The plain blackberry Kopparberg was one of my favourite, this isn't a patch on that—the inclusion of lime seems rather pointless.

Kopparberg with Winter Fruit

Chilled
Nose: rich jammy berries with raspberry and blackcurrant
Taste: some apple followed by Ribena cordial. Lots of berry and less fizzy than the Blackberry and lime, only a medium fizz. Quite similar to the kiddies cocktail of Ribena and Lemonade.

With ice
With ice and a bit of dilution the drink seems completely non-alcoholic and really just tastes like blackcurrant and lemonade. Very clean and exceptionally easy to drink. Rather tasty.

In conclusion

It is worth noting that this variety (like the Blackberry & Lime) is bottled at 4.5%ABV rather than the usual domestic 4.0%ABV.

This fact makes the smoothness and drinkability of this cider even more surprising. You could quaff a couple of bottles of this very easily and the effects could really creep up on you.

Kopparberg Cloudberry - Sparkling Cider

On a recent trip to Tesco, while on my usual stroll down the cider aisle on the lookout for something new to try, I came across Kopparberg Cloudberry, which is an apple cider with a hint of cloudberry.

Given the cosmopolitan and learned nature of our readers, I am sure that many will know what cloudberries are, but, typically, we don’t see these very often in the UK.

The cloudberry (Rubus chamaemorus) is popular in Scandinavian and Baltic countries, as well as Russia, and is commonly used to make jam in addition to flavouring spirits. They are also popular in Canada, where they tend to be used to flavour beer.

Kopparberg Cloudberry (4.0%ABV)

Nose: Jammy apple, with berries and a hint of spice.
Taste: Medium-high fizz with dry apple upfront, followed by fruity berry notes; these remind me a little of blackberry and a little of raspberry. As the cloudberry is quite a dry berry, this is less sweet than many of the other flavoured Kopparbergs.

With ice:
Not bad; this actually works quite well. Although the sweetness comes through a bit more, the drink has a touch more refreshment. On balance, I like this equally well with ice or just chilled.

In Conclusion

I like some Kopparberg varieties better than others and I think that this is definitely one of the better ones. If you don’t like the mixed berry or mixed fruit varieties I’d suggest trying this one for a pleasant surprise.

Kopparberg Cloudberry is available for around £2.50 for 500ml from Tesco.

Thursday, 25 October 2012

Halloween cocktails


I don’t normally go in for visually gimmicky cocktails (in fact I’m even fairly suspicious of garnishes unless, like, say, a lemon peel twist, they clearly add something to the smell and taste). But somehow Halloween seems a bit of an exception: so for the Candlelight Club Ball this weekend I have included a couple of drinks that use creepy layering effects.

The Black Widow: I'm sure there was an ice lolly like this when I was a kid
I suspect people have been floating vodka for years but I admit it had never occurred to me. The Black Widow is adapted from something I found online, created, I assume, for Blavod, a vodka coloured a blueish black using catechu, a herb found in southern Asia and central and east Africa, which it is claimed also makes the vodka smoother; essentially it looks like squid ink but tastes like vodka. The Black Widow is basically a vodka and cranberry juice but I’ve added some Angostura to give it a bit more character (and these bitters have a gingery element that feels seasonal), plus some grenadine,* which you can also layer by dropping it in and letting it sink, like in a Tequila Sunrise. Mind you, against the cranberry juice the grenadine layer doesn’t really show up much. The Blavod layer is remarkably easy to achieve: even if you just pour it in from the bottle the layer forms, though if you use a speed pourer and pour over the back of a spoon you get a neater effect. When it comes actually to drinking the thing, I personally find it is better to mix it all up, though it then turns a pinky grey colour.

Black Widow
2 shots Blavod black vodka
½ shot grenadine*
Dash Angostura Bitters
Cranberry juice
Fill a highball with ice, add a dash of Angostura and fill with cranberry juice to within about an inch of the top. Add the grenadine, which will sink to the bottom. Then float the vodka on the top—it will form an eerie black layer.

The Vampire Kiss is also adapted from an idea I found online; there are several cocktails out there using the name, but this one was originally created by or for Finlandia vodka. However, I took it a step further by making a rose vodka, simply by adding a decent rose petal extract (about two tsp) to a bottle of vodka. (Be warned: some essences, such as the first one I tried, are actually oil-based, which would be fine for making cakes, etc. But the ABV of a typical vodka is not enough to dissolve oil, which requires about 70%.)

If you can keep your vodka cold then this cocktail does not require any shaking: just build in a glass and when you add the Chambord or other crème de framboise it will form a subtle and rather pretty layer. I would have liked to use a candy crucifix as a garnish, but no one seems to make them!

The Vampire Kiss
Vampire Kiss
1½ shots rose vodka
½ shot crème de framboise
Sparkling wine or Champagne top
Garnish: maraschino cherry
Keep the vodka in the freezer/fridge, or on ice, and add 1½ shots to a coupe glass. Top with wine, then add the crème de framboise, which will sink slightly forming a subtle layered effect. Garnish with a cherry.

The other cocktails we’ll be serving are a bit more conventional, but appropriate, I hope. The Apple Bob is a twist on the Dry Martini (and is in fact virtually identical to the Poteeni I came up with for St Patrick’s Day, but using gin instead of poteen), with an autumnal apple flavour. (I can’t explain why the elderflower is in there—somehow the blossomy taste gives the cocktail the extra layer it needs.)

Apple Bob
2 shots gin
1 shot dry vermouth
1 shot apple juice
½ shot Monin Green Apple Syrup
½ shot elderflower cordial
Garnish: apple slice or apple peel spiral
Shake everything together and strain into a cocktail glass. Garnish with a bit of apple if so desired.

The Jack-o’-Lantern was born of a desire to have something that looked orange and tasted somehow like pumpkin. There are recipes out there that use spiced pumpkin purée (which you can even buy ready-made in a can), as you would find in pumpkin pie, but when I tried using this it produced something that looked like pond sludge. I actually quite liked the savoury note from the pumpkin itself, but in the end I plumped for using the spices (cinnamon, cloves, ginger and nutmeg) to flavour a syrup instead. The syrup is brownish, which, along with the rum, gives the colour, though if you use an orange curaçao (rather than a clear one) it helps; ginger ale also gives a better colour, though I think it tastes nicer with ginger beer.

Jack-o’-Lantern
2 shots golden or dark rum
½ shot curaçao or triple sec
½ shot pumpkin spice syrup
¼ shot lemon juice
Ginger beer top
Garnish: Orange wedge
Shake everything with ice and strain into a coupe glass. Garnish with a wedge of orange.

Finally, I wanted to include at least one vintage cocktail, and fortunately its name allowed me to justify the Corpse Reviver No.2. If you look in the Savoy Cocktail Book (1930) it specifies Kina Lillet, a fortified wine with quinine in it which would have added bitterness. This was discontinued some time ago; there seems to be some debate about what it tasted like though there are a number of products that arguably go some way towards recreating it, such as Kina Martini and Cocchi Americano (Lillet themselves insist that their modern Lillet Blanc is virtually the same except that it is actually less sweet than Kina Lillet). Ted Haigh specifies Lillet Blanc and I have always used that, though in fact for me the resulting cocktail is too sweet and orangey (Lillet being a fortified and sweetened wine flavoured with oranges), so I have always increased the gin and reduced the Cointreau. However, I noticed recently that Simon Difford specifies dry vermouth instead. Having tried it this way I am completely converted, and I find it balances perfectly using the original blend of equal parts of all the main ingredients.

Corpse Reviver No.2
Dash/rinse of absinthe
1 shot gin
1 shot Cointreau
1 shot Noilly Prat
1 shot lemon juice
Garnish: maraschino cherry
Rinse the glass with a dash of absinthe. Shake remaining ingredients with ice and strain into a coupe glass. Garnish with a cherry.

* I always find commercial grenadines rather synthetic tasting, and even a small amount can ruin a cocktail. So I’ve recently taken to making a simple version just by blending equal parts by volume of granulated sugar and POM Wonderful pomegranate juice. Bung it all in a saucepan and heat gently until all the sugar dissolves then allow to cool.