Saturday, 21 March 2020
I produced this on Tuesday, for St Patrick’s day, obviously, and should have posted it then, but what the hell. I was reminded of the garnish effect I accidentally produced with the Maid in Jalisco cocktail a few years ago—at the time it reminded me of a four-leaf clover and I made a mental note to do something shamrocky with it for St Paddy’s Day.
I’d received a promotional email from Difford’s Guide with some Irish whiskey drinks in it, and one included cucumber, which is what reminded me. Now while cucumber is to be found in and around gin all the time these days (see my recent posts on Caspyn and Hendrick’s), cucumber and whiskey are not obvious bedfellows. This recipe is called an Irish Maid and consists of:
60ml Irish whiskey
15ml elderflower liqueur (St Germain is what I used, though I imagine cordial would work too)
20ml lemon juice
10ml sugar syrup
2 slices of cucumber
Muddle the cucumber in a shaker, add the other ingredients and shake vigorously with ice. The garnish is obviously optional, but you can tell I have time on my hands now with the corona virus stalking the land. (These are Difford’s proportions; others allow slightly more sugar, though I personally think it is quite sweet enough.)
The cucumber certainly makes its presence felt. The spiky elderflower is more subtle, though it’s a flavour that seems to merge seamlessly with the cucumber, in a savoury, herbal way. The lemon and sugar are just the classic cocktail sweet ’n’ sour building block, and the whiskey rises up behind with caramel warmth. It’s unexpected but it really works, and it all to easy to drink.
The cocktail is apparently derived from the Kentucky Maid, essentially a Mint Julep with added lime juice and cucumber. Two days ago when I went to the supermarket I found the shelves mostly empty (thanks to panic buying by hoarders—really this epidemic has brought out the worst in people). In the fresh veg section the only thing left was a large quantity of cucumber, so I see the promotion of cucumber-based cocktails as Doing My Bit. (In two different shops the only fruit they had left was grapefruit, so watch this space…)
Monday, 16 March 2020
Back in Cornwall last summer I popped once again into John’s Liquor Cellar in St Ives to see if they had any new local gins in. What they suggested this time was Caspyn Midsummer Dry Gin, made by Pocketful of Stones who have a distillery just outside Penzance in Long Rock. In fact the man behind the distillery is a displaced South African, Shaun Bebington, but the lure of the coastal life he grew up with drew him from London where he’d been running a pub. The name Caspyn came from a Neolithic stone circle near the distillery: it’s actually called the Merry Maidens—apparently Bebington misread a sign that was actually an acronym: CASPN, “Cornish Ancient Sites Protection Network”, but by the time he realised his mistake the gin was named.
I was immediately taken by it: the nose is a perfumed tapestry of citrus and other fruits—blueberries, pears, melons—with cucumber and dry spice like cumin. On the tongue it is fruity and spicy, with a curious salty finish (what could be more Cornish than that?). The cucumber is not a coincidence: the very pale green colour of the gin is because fresh cucumbers are infused in it. In a Martini it intrigues with a combination of floral perfume on the nose and a relatively savoury, vegetal palate, again with that very subtle briny finish.
In fact the Midsummer gin is a relatively recent addition, a development from the original Caspyn Cornish Dry Gin (the suggestion is that the Midsummer is nothing more than the original Dry Gin with those cucumbers infused in it). This brings us back to the old question of what makes, or might make, a gin intrinsically Cornish—last time I idly suggested gorse and brine, and Caspyn does indeed have gorse in it, which they say combines with orris to give a sherbet finish. (There is no suggestion of brine, but, as I say, I do get a hint of salt on the finish.)
Mind you, the other botanicals don’t seem particularly Cornish: floral hibiscus, citrus from lemon and orange peel, lemongrass and lemon verbena, Japanese tea. And it’s lemon that really hits you on the nose when you sniff the Cornish Dry, plus something vividly herbaceous; there is also a floral note, something like berries, and an earthy echo at the end, but overall the nose is bright and zingy. By comparison the nose of the Midsummer version is mellower, slightly waxy, with a definite cucumber note but also savoury hints like agave or dill pickle.
On the palate the Cornish Dry is sharp, dominated by that lemon zestiness, with a peppery finish. They do say the aim is to make it taste like a crisp Cornish spring morning, bright but cool. Again the Midsummer version is mellower, with the citric spike softened and more of a fleshy vegetal warmth. Maintaining the climatic analogies, the distillers say that the Midsummer gin is intended to evoke a hazy summer afternoon. Both gins are absorbing, with vivid flavours that reveal themselves in layers, inviting close contemplation, but if the Midsummer really has just had cucumbers bunged into to it for a while, it’s interesting how much of an effect they have had.
Of course putting cucumber into gin is not new—Hendrick’s famously do it and so do Martin Miller’s. But Hendrick’s don’t use fresh cucumber: they use a commercial essence sourced from the Netherlands (I’ve tasted it neat, and found it rather delicious). In each case it seems well established that trying to macerate cucumber prior to redistillation, as you do with normal botanicals, doesn’t work, so it has to be added after distillation. Why do Hendrick’s use an essence rather than the real thing? I guess with their multi-shot technique (essentially producing a botanical concentrate, which is then diluted with alcohol and water to boost the volume for bottling) it is perhaps too difficult to get a strong enough flavour this way. The Caspyn Midsummer certainly achieves a distinct cucumber flavour, which balances deftly with the other flavours.
I like both these Caspyn gins. After I first tasted the Midsummer I decided I wanted to post about it but, tellingly, I got through it so quickly I had to order another bottle, along with a bottle of the original Cornish Dry for comparison. As I write this both bottles are nearly empty. This tells you all need to know. They are vivid and inviting, with a smooth spirit base that makes them all too easy to drink neat.
But of course most of us don’t drink gin neat most of the time. I was afraid that the Cornish Dry’s pronounced fresh lemon effect of the lemon peel, lemongrass and lemon verbena, when combined with the citrus thrust of most tonic waters, might be too much, but in fact it works well. What seems to come out in this combination is a midrange herbal spiciness and a gentle earthy note. The Midsummer mixes with tonic to bring out the cucumber character, mellow and relaxed, again with an earthiness. It is savoury almost to the point of being like food.
In an Aviation cocktail the Cornish Dry slots effortlessly into the drink with poise and balance, though the Midsummer is perhaps a bit too bohemian and savoury for the floral/tart structure of this cocktail. In a Negroni the Cornish Dry again shows its classic credentials and works well, but again the Midsummer is a bit odd. In a straightforward Dry Martini the Cornish Dry is crisp and sharp, with a warm and slinky midrange perfume—very inviting. By direct comparison, the Midsummer again seems strikingly savoury; it’s nice but certainly not a classic Martini. I’m beginning to think the Midsummer gin’s natural place is in a G&T, which is probably how it was intended.
The Caspyn gins come in chunky, round-shouldered bottles with wood-capped corks for a high-end feel. The labels have hand-written batch numbers. The Cornish Dry features a picture of a basking shark, rather a local emblem in Cornwall, also featuring on Tarquin’s label, though I’ve never actually managed to see one in the flesh. The Midsummer Gin, somewhat bizarrely, features a picture of a hoopoe—an odd choice for a gin that is meant to evoke an English summer. Is this a reference to Bebington’s South African roots?
“I first started thinking about using the hoopoe whilst I was is Croatia doing some juniper research and one happened to cross my path,” Shaun tells me. “The hoopoe does reside in South Africa during the Southern Hemisphere summers but flies to Europe for the Northern Hemisphere summers, mostly to the countries around the Med. Occasionally they overshoot their migration route and end up in Cornwall. I’ve yet to see one but I’ve seen photos. I liked that it was symbolic of our occasional summers here in the UK and I liked the link between South Africa and Cornwall.”
The connection between South Africa and Cornwall has just got stronger, as Shaun tells me he is now making a version of Caspyn gin at West Coast Distillers in Langebaan, South Africa. “The South African version is made with South African botanicals,” Shaun explains. “They are very similar but whereas the Cornish version has Cornish lemon verbena and bergamot (Earl Grey tea) the SA version has rooibos, honeybush and citronella pelargonium, a lemon-scented geranium.” This recipe is intended only for the South African market, though Shaun tells me that he hopes to bring the Nightshade Gin and Mutiny Bitters made at Langebaan over to the UK.
|My (virtually empty) miniature of Penzance Bathtub Gin|
I wondered which distillery had made the gin, but the label simply said it had been made in association with the Cornish Hen. Which turned out to be the deli where I’d bought it. So seemingly a very local, handmade thing. The website says it was dreamed up by three friends over a few drinks at a local pub quiz.
|The current label, shown on the website|
The makers do not say what goes into it, other than that it features gorse. The palate seems clumsy after the Caspyn, with the same orange peel and wheat flavours in a rather thin, astringent spirit base. And, if I’m honest, I don’t feel there is much about it that reminds me of gin. But the product seems to have taken off rapidly in a way that makes it possible the current product is not quite the same as the batch I tasted.
Caspyn Cornish Dry and Caspyn Midsummer can by bought widely online for about £39. Penzance Gin can by bought from penzancegin.co.uk for £38.
Sunday, 8 March 2020
I’m not much one for soft drinks. If I want something tasty I drink booze, and if I’m thirsty I drink water. I’m perplexed by products that seem to be offering a thirst-slaker of water contaminated by small amounts of fruit juice or other flavourings—London tap water is pretty good, so there is no reason not to quaff it.
I was thus intrigued to be sent these new soft drinks, Chillio Soda, in pineapple, guava and watermelon and flavours. They are very specifically not intended as mixers, but rather as an alternative to alcoholic drinks—so you could, in all fairness, ask what place they have in this blog. But it’s an interesting pitch, a non-alcoholic fizzy drink aimed squarely at the adult palate. (And thus, I suppose, the opposite of an alcopop—an alcoholic drink aimed, let’s face it, at the childish palate.) The range is low-calorie, vegan and gluten free, with no refined sugar and no artificial flavouring. Described as a “dry, sessionable drink”, it’s clearly intended as something you can use to match your beer-swilling buddies pint for pint (well, drink for drink) while keeping your body a temple.
The name Chillio comes from the fact that—as if more evidence were needed that this is a grown-up’s drink—these sodas have chilli in them. In fact the whole range is inspired by South and Central America, the flavours apparently based on local street drinks in the region. In addition to the key fruit flavour and the chilli, each drink has lime juice as part of its flavour balance. (In fact if you look at the ingredients list they all have apple juice too, and there are other things like carrot and blueberry: I don’t know if these crop up in the South and Central American street drinks that inspired the range or if the manufacturers just found they needed them in the mix to achieve the desired flavour in a canned beverage.)
First up is a drink inspired by Cuba. Open the can and the aroma is strongly of fresh pineapple. This carries on to the palate—it tastes pretty much of what they say it is, pineapple juice watered down, with a clear lime element followed by a mild chilli heat. This drink specifically has habanero chilli, and there is also prickly pear in there. I don’t know what that actually tastes of, but the elements here combine to make it more savoury and vegetal than you would expect of pineapple, so perhaps that’s the prickly pear’s influence. It is not particularly sweet.
Next is the Peruvian-inspired offering. Open it up and you again get an appealing waft of fresh fruit, this time of guava—not that I think I knew what guava smelled like before, but I’m willing to believe it smells like this. Poured out, it has the colour of rosé wine. Again on the palate there is a thinness which disappoints slightly: the nose suggests it will have a fuller flavour and richer texture than what you get. As with the Cuban, the lime is clearly but discreetly there, but the chilli (specifically pasilla chilli) this time is so subtle that I probably wouldn’t have noticed it if I hadn’t been looking for it.
The third version is inspired by Mexico, based on watermelon. The nose is certainly watermelon-inspired, but this time it’s a bit more synthetic, rather than the convincing fresh-fruit aromas of the other two. On the palate you pick up the same gentle lime presence, but the chilli (jalapeño) is more prominent here than in the other two, though nothing crazy. The liquid is a weird bubblegum pink, which seems somehow appropriate for the slightly sickly impression it leaves me with.
As mentioned, these drinks are intended as alternatives to alcohol. Did I try them as mixers with alcohol anyway? Of course I did. I tried the Cuban blend with rum and it frankly did not work. White rum would probably have been best but all I could find in the cupboard was Havana Club 7-year-old, and frankly for me this quarrelled with the pineapple character of the soda. As an afterthought—and thinking of the Miami Beach cocktail*—I tried it with gin and it actually works much better. But when you can just make the cocktail instead, I don’t see this mixer combination catching on.
I tried the Peruvian guava drink with pisco and it’s OK. The pisco has a light presence unless you dial up the concentration—at which point it’s not really that pleasant. Instead I make myself a pisco sour, which turns out to be much nicer.
And of course I experimented with mixing the Mexican blend with tequila. Again, it’s not revolting, but this mixer is my least favourite, so it’s hard not to feel it is a waste of tequila.
I guess I feel with all of these that the, generally rather inviting, aroma is then let down by the palate, which is more watery than I was expecting. I suspect this lack of body may be what makes it an awkward mixer, but of course that is not what it is intended for. They do call it “sessionable”, which can only mean you can drink a lot of it without ill consequences: perhaps they were being careful to make sure it does not become cloying or sweet after your fifth pint. When you think about it, the relative dryness, with tartness from the lime and sharpness from the chilli, is perhaps intended to replicate the mouthfeel of lager or IPA.
If you’re looking for a session drink free from alcohol, preservatives and artificial anything, and low in calories, then give Chillio a try if you come across it. My tip would be to veer towards the pineapple or guava versions, but don’t expect an explosion of fruit flavours dancing on your tongue.
* In fact there seem to be many cocktails with this name, all completely unlike each other, but the version I first encountered is in the 1935 Bar Floridita Cocktails, reproduced in 2008 by Ross Bolton. The book gave it as equal parts gin and pineapple juice with a teaspoon of sugar, while Difford doubles the proportion of gin. Later versions added vermouth or curacao but I found it works very well by replacing the sugar with Galliano, the vanilla-flavoured liqueur: 2 shots gin, 2½ shots pineapple juice, ½ shot Galliano.
Saturday, 22 February 2020
|DBS find his inner lunatic, clutching a Blue Lady|
The event was in a room at the top of Harvey Nichols, the up-market department store where spirit brands often launch exclusively. One room had been turned into a dimly-lit night garden, dominated by a nicely realised moon, about four feet high and slightly convex, mounted on one wall, with various plants, a garlanded swing and other garden furniture, a babbling fountain and various bits of mirror standing in for a reflecting pool. Eerie womblike noises were piped through speakers. The entrance corridor was lined with foil (which reminded me of the gold foil on lunar landing modules—not sure if this was deliberate) and had a mirror floor, which is rather disconcerting as it makes you feel as if you’re stepping off a precipice.
|A Lunar Gin and tonic lurks in the undergrowth|
|This device creates a bubble filled with aromatic vapour: it would be cool if the bubble could be attached|
to the glass so that it bursts when you drink it, but in practice it always burst during preparation
|A Moonlight Buck|
Hendrick’s make great play of the way their gin is lovingly made in small batches of just 500 litres. In fact, despite their eccentric, “not-for-everyone branding”, it now has a huge market all over the world and they have expanded their distillery to meet demand (it’s a “multi-shot” gin, with each batch of distillate made with a very high botanical intensity, a sort of gin concentrate, which is then blended with water and neutral grain spirit to produce the right dilution and volume for bottling). This ubiquity is partly what is behind limited editions like the Lunar Gin, to have something else that is rare and quirky. Last year they released their Midsummer Solstice gin—originally created for Global Brand Ambassador Duncan McRae’s wedding, before the subsequent decision to go commercial with it—as well as Orbium, a sort of gin–absinthe hybrid with wormwood, quinine and blue lotus that is definitely seen as “not for everyone”. (I keep wanting to call it Opprobrium, though in fairness I’ve yet to try it.) These offshoot products are described as coming from master distiller Lesley Gracie’s “Cabinet of Curiosities”, “a place of experimental botanic alchemy”, so you can see that they are keen to hang on to their playful, oddball image and not become a faceless juggernaut brand.
If you wish to sample the Hendrick’s Lunar Gin Experience for yourself, it will remain until 1st March. Tickets are £8, including a drink, from www.harveynichols.com. Lunar Gin is currently available from a limited number of outlets at £35.99 for 70cl (though I’m sure when I visited Harvey Nicks the bottles were price-tagged at £47…).
You can see more photos from the Lunar Gin Experience in this album on Flickr.
Wednesday, 8 January 2020
On the face of it one should have no fear. The Swiss famously make great chocolate and their country (or rather the wormwood habitat that straddles the country’s border with France) is the home of absinthe, so what could go wrong? The packaging features a bucolic scene with a cow calmly munching some grass and NOT going off its nut on mind-bending substances, and even if you examine the image with a magnifying glass there is no trace of the 1905 bloodbath wherein Swiss labourer Jean Lanfray murdered his family—allegedly after an absinthe bender—which finally led to the banning of absinthe throughout much of Europe. OK, so the glass of absinthe in the foreground is sloshing around maniacally, as if it is sitting on the dashboard of a pickup doing 105 kilometres per hour along a busy Swiss arterial road, as the driver mutters to himself that what is about to happen is HER fault and she MADE him do it. There is even an absinthe spoon on display for verité, though you sense that, while the artist has probably seen one, he/she has no idea what you actually do with it, so it has been left leaning jauntily against the glass. The same glass that is about to lose its contents in a green tsunami as the pickup revs ever closer to its destiny…
Anyway, this is absinthe-filled chocolate, called “Larmes d’Absinthe”, or “Tears of Absinthe”. Which I admit does not sound that positive. In fact it has a hint of “we warned you” about it.
We’re all familiar with liqueur-filled chocolates, and this uses the same technique—I guess the nodules of absinthe are lined with some sort of sugar shell, which you can feel crunching as you bite into it, right before the liquid centre spills over your tongue. Needless to say, it is very good chocolate, and although the absinthe brand is not named it tastes authentic enough in the context. I admit that there is something disconcerting about it: precisely because we are familiar with liqueur-filled chocolates, each time I bite into one of these I am taken aback by the bitter pungency of the absinthe. But overall it does work—the chocolate and the sugar offer more than enough sweetness to balance the bitterness of the absinthe, and the chocolate is proper dark stuff, so overall it does seem like a decadent, grown-up treat.