Harris's patented* pick-me-up bitters

D.R. Harris is an ancient pharmacy in St James’s, the heart of London’s “Clubland” (that’s “club” in the sense of gentleman’s club full of leather armchairs, not in the Ibiza sense of the word). It’s been there since 1790. Not the bright strip-lights and melamine shelves of Boots or Superdrug, but rather a carpeted gloomth and mahogany shelving displaying tastefully modest quantities of their soaps, fragrances, shaving products—I’m sure the discreetly scarce volume of product on display is somehow designed to create a sense of scarcity that will justify the high prices. There is even an elegant pedestal wash basin in one corner: I’m not sure if this is so you can actually try stuff out, or whether it’s designed to show you how great their products will look in your bathroom.

Back in the 19th century the shop was famed for it’s “pick-me-up” tonic, available either as a ready-to-drink draught over the counter for those with an immediate need, or in concentrated form for home use. As might be appropriate in Clubland, it was much prized as a hangover cure. It was on sale from the 1860s but at some point in the early 2000s they discontinued it; there is a suggestion that it didn’t really taste very nice, though the main ingredients were cardamom, clove and gentian which (aside from the bitterness of the gentian) don’t sound too bad.**

So I was intrigued to hear that they have now brought it back in the form of a cocktail bitters, reimagined with the help of Bob Petrie from Bob’s Bitters. Interestingly, the blurb on the website still looks at the concoction as a restorative, listing the beneficial effects of the ingredients on the digestion, liver, mood, etc, but at the same time offers cocktail recipes. I guess it saves time if you can take your hangover cure at the same time as the drink that gives you the hangover in the first place.

Although there have been many bitters entering the market in recent years, I decided to do my analysis alongside Angostura bitters, without doubt the most well known, and probably the only bitters that most people in the UK have heard of—here even Peychaud’s is not known outside the realm of the enthusiast. 

Open the cap and sniff the Angostura bottle and you get a powerful smell, an earthy base with bitter menthol or mint top notes. For me there is a strong element of cinnamon or cassia, with clove and a bit of chocolate too. Taste it neat and again there is heavy cinnamon, with bright, brittle mentholic fumes rising up. They don’t give much away about what is in it, other than gentian plus various vegetable extracts.

The Harris bitters has an immediately similar nose (but then gentian and clove are key ingredients), but at the same time fruitier and less woody. I get lime—in fact this is not given as an ingredient though there is lemon peel and bergamot. Pour some out and you’re immediately struck by the pale, straw-like colour compared to the dark red-brown of Angostura. Tasted neat it again shows less of the woodiness of cinnamon but it does have a fruitiness like jam or marmalade. I would say that the two bitters clearly have similar building blocks, with woody, earthy base notes and bitter, aromatic top notes, but the Harris offering does seem more sophisticated; you find yourself probing its complexity as tendrils of vanilla, chocolate and even chilli emerge (the fiery hint may come from ginger). 

The two bitters with water, Angostura on the left and Harris on the right

Compared to the Harris, the Angostura does seem rather crude now. But of course neither of these concoctions is intended to be consumed neat. The original Harris pick-me-up was simply added to water, so I tried adding five good dashes to a shot of water. The Angostura retained its essential character strongly at this dilution—cloves, cinnamon and gentian bitterness. The Harris was again lighter and more complex. I’m convinced you can smell the honey, but on the tongue I’d say it was actually less sweet than the Angostura. (Note that the Angostura bottle releases liquid much more readily that the Harris bottle, so it is hard to be scientifically precise about the quantities involved.) Overall the Harris is lighter, brighter and with a more pronounced high bitter finish.

Next I tried a Pink Gin, the classic bitters-forward blend of just gin and bitters, usually with water. This was a favourite of my father-in-law, who took it unchilled, which I believe is traditional. I blended 15ml gin with 10ml water and three dashes of bitters. In these proportions the Angostura bitters certainly make their presence felt and do sit well with the botanicals of the gin (I was using Tanqueray, which famously employs just four, juniper, coriander, angelica and liquorice). With the Harris bitters, of course, your Pink Gin isn’t pink. It also has a subtler nose with honey and ginger coming up. On the tongue I would say it was actually more harmonious with the gin than Angostura, but again with a more bitter finish. Intriguingly, it also seemed to evolve and “open up” in the glass, becoming more characterful as time goes by.

A Martinez with Harris bitters, made using the recipe on the site. Very good it is

Finally, I try a Manhattan, mixing 15ml of Bulleit bourbon with 5ml of Belsazar Red vermouth and a good dash of bitters. Even in this reduced quantity compared to the previous test, and against some powerfully flavoured other ingredients, there is a difference between the two bitters: the Angostura makes for a heavier, jammier cocktail, while the Harris bitters made a lighter, more approachable drink, with a pronounced bright bitterness. It does come across as more sophisticated, less heavy and somehow more thoughtful—if that is something you look for in a cocktail.

So overall I am impressed. The Harris bitters are not cheap: 100ml is £20, though you can buy a 10ml taster for £6.50. But by comparison Angostura is £10 for 200ml, so a quarter of the price. (Angostura is more alcoholic too—44.7% compared to Harris’s 34%—but in the quantities in which it is consumed this is not really relevant.) But certainly the Harris Pick-Me-Up bitters are worth it, given that 100ml will last you a while. A note of warning, however: you had better like bitter flavours. I gave both versions with gin to Mrs H. to taste and she made that scrunched-up “this tastes like poison!” face that even hoppy ale produces in her. But if you are at ease with bitterness you will also find much more to this complex blend.

D.R. Harris’s Pick-Me-Up bitters can be ordered from the company’s website or if you have access to the capital you can saunter into their shop and buy it over the counter.

* I’ve no idea if it is patented.

** Elsewhere I’ve seen a suggestion that it was only in the early 2000s that they realised they would need an alcohol licence to sell it, which they clearly had never had, though I guess they must have an off-licence now.

A cocktail in a can—without the cocktail

A Champagne Cocktail made with items from the kit

Despairing of face-to-face get-togethers for the time being, a friend held a virtual birthday party last night. While Zoom may be efficient for business meetings, it’s hard to use it for general socialising, and she enhanced the organisational side of things by laying on live entertainment. She also sent everyone packages of strange costume items plus some sparkling wine, accompanied by a “cocktail kit”.

Given that the kit itself didn’t actually include any booze, it was enterprising of the manufacturers (The Cocktail Box Company) to find anything to put in it at all, but their efforts were endearing. It was for a Champagne Cocktail, and the pleasantly Olde World tin contained three cocktail picks for “your desired garnish” (not included), some sort of coke spoon, some instructions, a smaller tin neatly holding six cane sugar cubes, and the star of the show—three bottles of bitters. There is even a burlap coaster.* The instructions tell you so soak the sugar cube with bitters in the glass and top up with Champagne: they don’t actually mention the Cognac that traditionally goes in before the Champagne, yet they earnest have you use the tiny spoon to stir five times clockwise then five times anticlockwise. Given that the sugar is left intact to dissolve gradually, I’m not sure what we’re actually stirring together here, but if you decide to add brandy as well then I guess the spoon will prove useful. The packaging advertises that it serves six, though of course there are only three picks, so I guess it’s designed for tag-team drinking (and you’ll all have to squabble over the coke spoon).

I’ve not tried Scrappy’s Bitters before, and in this cocktail the the Aromatic Bitters struck me as classic, Angostura-style, but warmer and more complex—vividly fruity and smoky, with notes of orange peel, cardamom and cinnamon to the fore, though the tiny 5ml bottle is too small to list any ingredients and Scrappy’s website doesn’t give anything away. This was complemented by two smaller 2ml bottles, one of lavender bitters and one of “black lemon” bitters. The lavender made rather an intriguing variation on the cocktail, with a strong lavender note that tricked me into thinking that there was honey in there too—and I guess you could make the cocktail with honey rather than sugar. The lemon bitters made less of an impression, though perhaps you need to be more generous with that one. The bottle smells of lemon, perhaps preserved lemon, if you’ve ever tried making that, though the website explains that a “black lemon” is actually a kind of dehydrated lime used in Middle Eastern cooking, which they describe as earthy and smoky. Confusingly, the bitters does not actually have any black lemon in it, just attempts to evoke those aromas and flavours.

The Cocktail Box Company range also includes an Old Fashioned—the delightful packaging of which looks just like a Penguin Classic paperback (see picture): the others in the range keep the styling but vary the main colour—containing sugar and three types of bitters; a Moscow Mule, with grapefruit and lemon bitters, plus sachets of ginger syrup and lime juice; a Margarita, with orange bitters plus sachets of “margarita syrup” (orange flavoured?) and lime juice; a Mai Tai, again with lime juice and orange bitters, along with “Mai Tai syrup”, which I assume is coconut-flavoured. Finally there is a Gin and Tonic kit. Some will argue that a G&T isn’t really a cocktail as such, but the big question is what such a kit could contain, given that it has neither gin nor tonic in it. The answer is orange and lavender bitters (not lemon, surprisingly) plus lime juice and tonic syrup.

So the idea is that you are using your kit somewhere where there is booze, plus access to soda water, but not to any other mixers—such as tonic water for the G&T or ginger beer for the Moscow Mule. I’d be curious to know if this came about from experience, and the feeling that this was a real need to be answered, or whether the idea of the kit came first, followed by some head-scratching about what could possibly be included. Tonic syrup is not a new thing, and a combination of soda and, say, the Battersea Quinine Cordial, produces a result not really like commercial tonic water. You can also use the syrup neat, without soda, plus gin and lime juice to create a short “GT Turbo” cocktail—I wonder if that is what the Cocktail Box people had in mind with this kit, as you wouldn’t normally put lime juice in a G&T (although you might well garnish it with a slice of lime). I haven’t had a chance to try any of the other kits, so I don’t know what these syrups are like, nor how the lime juice is preserved (and how that might affect its flavour).

The three bitters in the Champagne Cocktail set, plus the three cocktail picks

You get the idea that these kits are intended to appeal to business travellers who always want to have the wherewithal to make the perfect cocktail as they sit in their lonely hotel room with only a bottle of spirits for company—you can even buy replacement lime juice and syrup sachets. But I wonder whether the main market isn’t people looking to give cute gifts to other people who like cocktails.

Would I recommend the cocktail box? If you’re looking for a cute gift for a cocktail-lover then I think the attention to detail will please. At £18 the kit is not cheap, but you’d pay £20 to £25 for a full 150ml bottle of the bitters, so it’s a handy way to try out three from the range.

* The coaster sadly has a logo sewn on, made from some shiny, plasticky material that actually causes it to stick to the bottom of your glass when you lift it up, but once this label has been removed it is absorbent enough to work well.

Gold, frankincense—and stir!

Gold, Frankincense and Byrrh: Stare into the drink and you can see the flakes of
gold from the Goldschläger

At the end of last month a bunch of us gathered at the newly opened Shaker & Co (formerly the pleasantly oriental Positively 4th Street and the scene of the New Sheridan Club’s 2008 “Mad Dogs and Englishmen” party) for an experimental seminar courtesy of the London Cocktail Society and Master of Malt, to have a look at the latter’s new range of “single varietal” bitters. I’ve talked a bit about them before, along with some experiments I have conducted using individual bitters in cocktails, but the object of the exercise on this occasion was to have a competition to blend them to make a definitive LCS bitters, which Master of Malt would then undertake to market.

The full range was there and the samples had helpfully been categorised into those you could safely use a lot of and the scary ones—such as very bitter infusions of wormwood or gentian, or the volcanically hot naga chilli—that you were warned to go easy on in your mix. I formed a team with Jenny from Sip or Mix: calling ourselves the Artemisians we decided to make an absinthe-influenced bitters which had 5 parts fennel, 4 parts liquorice, 4 parts coriander, 4 parts cardamom, 5 parts curaçao and one part each of black pepper, frankincense, angelica and, or course, wormwood. The aniseedy liquorice and fennel were actually balanced by the pretty strong citrus influence of the curaçao, and the bitterness of the wormwood offset by the sweetness of the curaçao and the liquorice. But it’s odd working on a bitters neat, given that it is something that will actually be used in minuscule doses in a cocktail. Should it even taste nice on its own? Peychaud’s certainly doesn’t! Perhaps it would be best to test it by putting a few drops in a glass of water…

Needless to say we didn’t win. I haven’t tried the winning formula, as it is presumably now an industrial secret in the Master of Malt labs, but it should be available for the MoM website soon. But it certainly gets you thinking about how some of the single varietals could be, erm, “leveraged” in cocktail making. Such as the coffee, chocolate or kola bitters, for example.

I’ve been doing some more tinkering with the Frankincense Bitters, not least because it is seasonal. Frankincense is not something that most of us are used to working with (though it is a key ingredient in Sacred gin). Made from the sap of the Boswellia sacra tree it is a fragrant resin that is burned for its aroma and smells a bit like cinnamon and a bit like hot solder (which has resin in it), a mysterious, almost dangerously aromatic smell, which was why I used a bit of the bitters in our Opium Dream cocktail for the 1920s Shanghai event at the Candlelight Club. My friend Fr. Michael Silver, a high-church priest by trade, sampled one of these cocktails and immediately picked up on the frankincense note, and I guess he would know!


Opium Dream
2 shots gin
2 shots mandarin, clementine or orange & mandarin juice
½ shot poppy liqueur
¼ shot lime juice
1 splash of bleue/blanche absinthe (we used La Clandestine)
5 drops Frankincense bitters

Shake and strain into a Martini or coupe glass. The poppy liqueur I used was from the Briottet range. Obviously I mainly used it because it existed and seemed appropriate, though it has a very confectionary, floral taste, a bit like rose or violet creams. It reminded me of grenadine, so this cocktail is really a Monkey Gland with Liqueur de Coquelicot de Nemours instead of grenadine, plus the frankincense. The mandarin juice was originally just there as a joke because it fitted the Chinese theme, but being sharper than orange juice it balances the sweetness of the liqueur. They sell cartons of clementine juice in Tesco now, I see.

The Gold, Frankincense and Byrrh cocktail

I’m using these bitters again for our Christmas party in a cocktail that I couldn’t resist inventing just for the name, really:

Gold, Frankincense and Byrrh
1 shot Byrrh
½ shot Goldschläger
5 drops frankincense bitters
Champagne or sparkling wine to top

Either shake the first three ingredients with ice or simply add them to a Champagne flute or coupe and top with chilled Champagne or sparkling wine. It has a distinct gingeriness from the Goldschläger plus aromatic and bitter notes from the Byrrh and that resinous mystery from the bitters. Like a very refined and holy mulled wine. Which isn’t mulled. But is quite seasonal.

What use are "single varietal" bitters?

Most of us probably have a bottle of Angostura bitters somewhere: it’s one of those things, like Tabasco, that never seems to get finished. But such is the strength of the cocktail revolution going on at the moment that all manner of other bitters are being unleashed on to the market, ranging from the primordial Peychaud’s bitters, recreations of ancient recipes such as celery bitters and Jerry Thomas’s favourite Boker’s bitters, to all manner of fruit and veg flavours (grapefruit, rhubarb, cranberry, plum…) and oddities like chocolate bitters.

Bitters are the granddaddies of the cocktail world. Originally medicinal infusions of bitter herbs, roots and barks, it’s likely that we started blending them with booze to make the medicine easier to take, then developed a taste for it. The original definition of a cocktail was specifically a spirit augmented by any or all of bitters, sugar and water. Any other kind of mixed drink fell under a different name. Now the term “bitters” is used for any concentrated flavoured tincture a dash or two of which might be used to deepen a cocktail’s flavour or add aromatic notes.

Master of Malt have thrown their hat into the ring with a range of “single varietal” (a term taken from the wine world, I assume) bitters—each featuring just one flavouring ingredient, infused in vodka, bourbon or rum. The range includes sour cherry, cinnamon, black pepper, cumin, juniper (a kind of “gin concentrate”—add a few drops to vodka, perhaps, and voila?), cardamom, clove, coriander, fennel, angelica, cocoa, coffee, liquorice, sweet orange, gentian, curaçao (bitter orange), chilli (both smoked chipotle and volcanic naga) and frankincense. They also do their own blended products, such as their whisky-barrel aged bitters and a forthcoming Christmas bitters.

Of course the first thing that sprang to mind with the single varietal ones was—is this any better than just using the ingredient itself? For example, why use cumin bitters rather than just a pinch of cumin? I tried using just such an ingredient in one of the North African inspired drinks at the A Night in Casablanca event that the Candlelight Club held in August:

Djinn Fizz
2 shots gin
1 shot lemon juice
½ shot crème de menthe blanche
½ shot sugar syrup
Pinch of cumin/few drops of cumin bitters
2 shots soda water
Shake first five ingredients, strain into a glass and add soda. Garnish with fresh mint.

The cumin is by no means essential but in moderation it is quite interesting, adding a flavour that is fresh but quite savoury. I tried this with both ground cumin and cumin bitters and the result is pretty much the same, though you need more of the bitters than you might think.

Or course the big difference is that the bitters are liquid and therefore blend easily. Spices as a rule do not dissolve as such: I don’t know what actually happens to the cumin in the Djinn Fizz, but in the following cocktail—created for the Candlelight Club’s Boardwalk Empire Season 2 launch party—I had trouble with the ground cinnamon:

Applejack Rabbit
1½ shots Laird’s Applejack
½ shot Aperol
½ shot maple syrup
¾ shot lemon juice
1 shot orange juice
Pinch of cinnamon/few drops of cinnamon bitters
Apple slice to garnish
Shake and strain into an ice-filled highball. Garnish with a slice of apple. An old cocktail from the 1930s, with added Aperol (something that currently vies with tea as the cocktail ingredient du jour).

It tasted right, but the actual particles of cinnamon are quite visible and quickly sink to the bottom. I also noticed that if you left the cocktail for a while the cinnamon flavour intensifies, as the ground bark spends more time infusing. On the night the bar staff mostly just sprinkled the cinnamon on the top instead. By contrast, the Master of Malt Cinnamon Bitters avoids this problem altogether.

Similarly, another cocktail from our Moroccan night (originally created by Will Sprunt for our Mad Hatter’s Tea Party, and here just wheeled out again under a different name because it went so well with the theme) originally used cardamom seeds:

Rose Martini (aka Queen of Hearts)
2 shots gin
¾ shot dry vermouth
½ shot rose syrup

The seeds from a cardamom pod/few drops of cardamom bitters
Lemon twist 

Shake cardamom, gin, syrup and vermouth together, and strain into a martini glass. Finish with lemon peel. This is a cracking cocktail that tastes like alcoholic Turkish Delight.

First of all I found that you really need to crush the seeds with a muddler to get any flavour out in the short time that you are shaking. But actually splitting a cardamom pod is pretty fiddly and not really something you want to be doing in a busy bar environment. In this example, using 5–6 drops of the cardamom bitters was a godsend, adding the desired flavour quickly and without any solid residue to worry about.

Then you have something like the Master of Malt Frankincense Bitters. Most of us probably don’t have lumps of frankincense knocking around the house, so if that is the flavour you are after then this is clearly a good way to go. Frankincense (a resin tapped from the Boswellia sacra tree) is a hard flavour to describe, being a bit like cinnamon but less overtly woody. If you’ve ever done any soldering (solder includes resin) the smell of frankincense will be familiar. I plan to try using the bitters in a Christmas cocktail called Gold, Frankincense and Byrrh (using Goldschläger or Goldwasser, Byrrh and Frankincense Bitters, perhaps with a gin base)—expect a report in a month or so as to whether this has any merits beyond a play on words.

Another possibility is to play with gin by using the coriander, cinnamon, angelica or cardamom bitters (all common enough gin botanicals) to push your gin’s flavour balance one way or another. Fennel and clove too, now I come to think of it. Of course these are infusions rather than distillations, so things like the gentian bitters (which I have not tried yet) will presumably be indeed very bitter (like Peychaud’s or Angostura bitters, which contain it), compared, say, to Ian Hart’s Sacred range of single-botanical distillates, in which the distillation process removes all bitterness from botanicals such as gentian, hop or wormwood.

Check out the full range of Master of Malt bitters here.